While aboard the Flying Dutchman, he spots Jack attempting to escape with the chest at hand. Jones aids Cutler Beckett in a final attempt to destroy Jack and the Black Pearl. Elizabeth persuades them to exchange Will's slavery for Jack's. Jones still does not consider Jack's debt to be paid and tries to force Jack to become his slave for a hundred years on the Dutchman. The three of them meet with Jack, Elizabeth Swann, and Hector Barbossa. On a small island, Beckett has Jones and William Turner by his side. Jones soon finds himself under Cutler Beckett's command when his heart comes into the man's possession. Three years shortly afterwards, Hector Barbossa mutinied and stole the Pearl, causing Jack to believe his deal with Jones was on hold due to a technicality since he wasn't captain of the Pearl for a decade of their world's time, it meant Jack didn't truly get his part of the bargain.įurious that Jack Sparrow did not honor their agreement, Jones sends the Kraken to dispose of him. In exchange for the pirate's soul, Jones allows Sparrow to captain the ship for thirteen years. He locked it away in a black box for safety: if anyone destroyed it, his curse would transfer to them and make them the new captain of the Flying Dutchman.ĭavy Jones raises the Black Pearl from the depths for Jack Sparrow. Unable to bear the pain having a heart gave him, Davy Jones cut out his literal heart for some reason, removing the organ also removed his metaphysical heart as well. Trying to do everything in post is hardly conducive to the process.Story Before Kingdom Hearts II But if these details prove anything, it's that terrific CGI creations like Davy Jones are a true group effort. Knoll, Hickel, and their fellow VFX supervisors Charles Gibson and Allen Hall would go on to take home the Academy Award for Best Achievement in Visual Effects thanks to "Pirates of the Caribbean: Dead Man's Chest," and it was a victory well-deserved. Hickel spent months of labor-intensive work turning Nighty's on-set antics into what you see in the finished product. That is, after an animated team led by Hal T. Another benefit: Using Industrial Light & Magic's mo-cap system freed Gore Verbinski to employ a lot more hand-held camera-work than he would've been able to otherwise, making the scenes with Jones feel all the more natural and not pre-planned. In a 2006 interview with Entertainment Weekly, visual effects supervisor John Knoll revealed that director Gore Verbinski shot his Davy Jones-centric "Pirates" films, "Dead Man's Chest" and "At World's End," so that, "when we're in tight, if the CGI doesn't turn out to work well, be able to use Bill's real eyes." However, thanks partly to Verbinski's practical-heavy approach, Knoll and his team were able to create believable CGI eyes and a whole lot more for Jones using Nighy as a reference only.Īs silly as Nighy surely felt in his "bizarre Devo jumpsuit" (as Knoll also called it) with dots on his face, his gear was essential in aiding the films' visual effects artists in tracking his body movements and facial mannerisms for the CGI Davy Jones during post-production. On the topic of Davy Jones' eyes - as convincing as they are, they're not actually Nighy's. Even as his eyes well up with tears as thick as the slime coating his skin, you find yourself feeling oddly emotional towards this all-too-peculiar sea-man. He makes random popping noises with his lips, cocks his head at strange times, and at one point raises an eyebrow like he's the mischief-making hero in a DreamWorks animated movie. Nighy's turn as the once-mortal buccaneer in the " Pirates of the Caribbean" films - warped into a twisted cross between an octopus, a human, and a crab by his years of servitude as captain of the Flying Dutchman - is enthrallingly quirky. It's not just the milestone visual effects that continue to impress, either.
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